The Navy League Quarterly – Australia

The Australian Navy League put out a quarterly booklet which provides lots of snippets. This particular booklet was dated 1954 however on page 17 details are provided on the loss of an Ordinary Seaman overboard from HMNZS Black Prince.

Please be patient the booklet takes a little time to load.  Click HERE

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Divisions on the Prince

The image below was taken about Jun/Jul 1955 somewhere in the South China Sea at Captains Church Service.  The Communications Division is as follows:

Blackprince 1

Front to Rear

Yeo (Shiner) Wright
Yeo obscured by cap
POTel (shorty) Powel
POTel Max Hago
L/Tel MAS Miller
L/Sig Sam Lawton
Chief  Tel CHPOTEL  Don Nichols  BEM

The Comms Officer  was Mr Rudd and the Captain of HMNZS Black Prince was Captain Whitfield DSC RN.  Thanks Bev Watts for the image.

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Song – The Mighty Waikato

A number of the crew of Waikato pitched up a song for the maiden voyage.  This will bring back some memories for some.  Click HERE to listen.

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Old codes don’t die, they just -.. .- … …. .- .– .- -.–

In case you’re not a former sailor or ham radio operator, the above is not a typesetting snafu. Those are the dashes and dots (or “dits” and “dahs,” as telegraph operators often vocalize them) that comprise Morse Code.

Nowadays, Morse Code is pretty much a dinosaur, a moribund artifact of a past era. But the modern world wouldn’t be what it is today if, back in the 1830s, Samuel Morse hadn’t created the binary cipher which bears his name. Until the invention of the telephone in 1875, it was the only means by which to quickly transmit data over long distances, and it continued to be used in maritime communications until 1999, and is still practiced by ham enthusiasts to this day.

Surprisingly, there is another area of modern life which has also been affected by the use of Morse Code. And that’s the world of popular music.

It’s astonishing how many songs and albums have incorporated Morse Code. Sometimes, it’s in the use of Morse Code “words,” especially “S.O.S.,” the three-character distress call which originated in Morse and which lent itself to the title of a popular ABBA song in 1975 as well as dozens of other lyrics by artists like Rihanna, Good Charlotte and Jordin Sparks.

But Morse Code has also found its way into dozens — possibly hundreds! — of songs, by artists including the B-52s, Roger Waters and Kraftwerk, either as a sound effect or actually built into the musical structure of the song.

Sometimes the Morse Code in question spells out nonsense, as in the case of the insistent pseudo-Morse Code of the Five Americans’ 1967 hit, “Western Union.” Likewise, it’s unclear that the Morse Code snippets present in two hits from the following year, Glen Campbell’s “Wichita Lineman” and “Captain of Your Ship” by Reparata and the Delrons genuinely spell anything meaningful — although years later, Jimmy Webb, writer of “Wichita Lineman” would joke that the Morse Code played by Campbell on his bass guitar actually says, “Bring me beer.”

Occasionally, Morse Code has musically “seeded” songs. The rhythm track of “Lucifer,” the opening instrumental on the Alan Parsons Project’s 1979 concept album, “Eve,” is constructed on the Morse Code pattern which spells the album’s title. And Rush famously used the Morse Code characters for “YYZ” to create the odd rhythm of that song. (“YYZ” is the Morse Code signal for the Lester B. Pearson International Airport in Toronto, and the inspiration to use the code snippet came to Rush’s guitarist Alex Lifeson, who is a licensed pilot.)

More than once, Morse Code has been used to plant naughty words and messages in a song. In 1967, the psychedelic group Pearls Before Swine used Morse to spell a common epithet starting with the letter “F” in the chorus of their “(Oh Dear) Miss Morse.” And 23 years later, Mike Oldfield would send a rude personal message (using the same epithet!) to Richard Branson, the owner of Oldfield’s record label, Virgin Records, on the track, “Amarok.” That may seem shocking, but what can I say? Dit happens.

Craven Lovelace is the producer of the Notes Blog & Podcast at and also writes about popular culture at the Cravenomena blog at You can also find him on Facebook.

Notes is made possible by Tina Harbin of Real Estate West, the premier resource for all real estate information and services on the Western Slope.  Have a look at the url

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Images of a Bygone Era – Final

More images for your enjoyment.

APD 0118 NZ Herald Photograph - Copy APD 0084 Wrens show, Philomel 1944 - Copy APD 0060 PO wrens, Wellington 1944 APD 0034 Wrens outside Margaret House - Copy (2) - Copy APD 0027 Wren with Aldis signal lamp - Copy (2) APD 0003 WRNZNS 1942 Boiler suits - Copy (2) ACE 0025 Wrens at Shelly Bay Matrons house

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Images of a Bygone Era – Part 2

Here are some more images

APD 0131 Margaret House December 1957 GN 61 05186 01 GN 59 02059 01 GN 58 01419 01 APD 0293 Wrens window cleaning APD 0239 Wrens McKay and Slurley 22-12-1944 APD 0235 Wrens at Devonport Sept1946 APD 0228 Wrens at Elizabeth House 1952

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Images of a Bygone Era – Part One

Here are some images of a bygone era which you may find interesting,

GN 61 06416 01 GN 61 06421 01 GN 62 09167 01 GN 64 10907 01 GN 64 11417 01 GN 64 11539 01

Gail Radonich 1962/63

GN 71 18411 01 GN 79 01257 02

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